When reading this book, I
realized the strong images and symbols presented during the story and the huge
importance they represent. In order to fully understand the story, we as
readers should understand the hidden meanings and for that it is necessary to
go back to the roots, to go back to the African culture.
The first element to analyze is
the language: Language is known to be one of the strongest elements within a
culture. In Things Fall Apart, the mother tongue Igbo, is presented and
integrated to the story, demonstrating to the reader that all languages in
Africa are neither simple nor incomprehensible as the common stereotype
represents: The image of African people as savages without a complex
socio-cultural structure leads to a very basic way of communication.
The second element is fire: the
fire is a very destructive element; it consumes rapidly everything around it.
It is also associated to wrath, which is the kind of feeling that usually
overwhelms Okonkwo: he has an intense and dangerous anger which exceeds his
actions as represented when he kills Ogbuefi Ezeudu’s son, just like fire
destroys dry wood. Furthermore, it can be appreciated that Okonkwo’s emotions
are stronger than him, showing his real nature and ruling his actions until
they destroy him.
Third elements are drums: music
has an extremely fundamental role in African culture. Music in the story
represented by drums show the deep relationship between the members of a
community, symbolizing a physical connection in Umofia’s clansmen and uniting
people. Music has many purposes within a culture: it tells stories, folktales;
it represents joy as well as suffering; it is played in birth as well as death.
In addition to all previous
analysis, when reading this book I could not stop thinking about a movie I
watched many years ago. Kirikou or Kirikú (in Spanish), is an animated movie based
on a West African folktale about a very smart and small child that unlike other
villagers confronts adversity to fight against a Sorceress instead of accepting
and fearing her authority. This movie shows an inner perspective of African
culture in a tale: it shows a poor reality, the importance of family and of the
community, the male and female’ roles, the harmony with the body, the
importance of music. Also, I would like to point that the animation in this
movie is inspired from “Negro Art” using the colors that characterizes it; and
the soundtrack was made with traditional African instruments like the Balafon,
the Ritti, the Cora, the Belon, etc.
I highly recommend you to watch
this movie!
Finally, when talking about the
“Negro Art”, Hughes in his work “The Negro Artist and the Racial Mountain”
states:
“One of the most promising of the young Negro poets said to me once, "I want to be a poet--not a Negro poet," meaning, I believe, "I want to write like a white poet"; meaning subconsciously, "I would like to be a white poet"; (…) And I was sorry the young man said that, for no great poet has ever been afraid of being himself. And I doubted then that, with his desire to run away spiritually from his race, this boy would ever be a great poet. But this is the mountain standing in the way of any true Negro art in America--this urge within the race toward whiteness, the desire to pour racial individuality into the mold of American standardization, and to be as little Negro and as much American as possible.”
With this idea, I immediately
think about Achebe and that this was exactly what he did not want for his
work. He wrote including symbolisms: music, fire; including the beauty of Igbo language, the traditions and the African culture just to let the world know the reality in
Africa, to make the reader realize that American or European literature or even
culture are not better and that no author should be ashamed to present his/her
roots in his/her work. You cannot separate an identity of a person, or a community from a culture
Do you think, in this context that is it better to represent a highly recognized and valuated culture as the
American rather to represent, for example, the African? Is it correct to try to
simulate or pretend to be part of something that you are not part of, leaving
aside your own roots? Would you like to be the White poet or the Negro poet?
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