When you are old and grey and full
of sleep,
And nodding by the fire, take down
this book,
And slowly read, and dream of the
soft look
Your eyes had once, and of their
shadows deep;
How many loved your moments of glad
grace,
And loved your beauty with love
false or true,
But one man loved the pilgrim soul
in you,
And loved the sorrows of your
changing face;
And bending down beside the glowing
bars,
Murmur, a little sadly, how Love
fled
And paced upon the mountains
overhead
And hid his face amid a crowd of
stars.
Source: The Collected Poems
of W. B. Yeats (1989)
Sorrow,
despair and spite seem to be the source of modernist poetry.
I can be due
to the vision of life, of the moments they were living (world Wars and dramatic
and quick changes) that they were able to cover all the aspects that you can
imagine now at a personal and even universal level.
It strongly
calls my attention that, from the three poets we studied, the one that shows
more spite in his poems and the one that most openly “speaks” about women is
Yeats and, obviously, his devious relationship with Maud Gonne plays an
important role and influences his writings. In the case of When You are Old we can appreciate a sort of sequel of the Deep-sworn Vow. This
time the author has a more relaxed stand towards his loved one. However, as we
read the poem we can notice a bit of spite in his words when he says “but one
man loved the pilgrim soul in you, and loved the sorrows of your changing face”
after naming the ones who loved her only at her bright moments and despite
that, the whole poem transmits the feeling that he is still in love and he will
be in love with her when they both grow old, and although maybe she never gave
him a chance, he is the one that have always truly loved her.
By Yanareth Cerda.
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